2) The pleasure of testing a new tool for engineering students on a design project \u00e9l<\/strong>\u00e8ves\u00a0 <\/strong><\/h2>\nStudents from T\u00e9l\u00e9com Paris propose a design for the school’s hall using a 3D Hyve.<\/strong>
\n<\/strong><\/p>\nInterview d’Ali\u00e9nor Morvan<\/p>\n
Three teams of engineering students are competing to design the reception hall of the new T\u00e9l\u00e9com Paris building to be inaugurated in November 2019. Their mission? To propose a project to transform this busy place into a warm and friendly space, because it’s the first impression that counts! The first contact will determine the positive or negative perception of visitors. To make a good impression on visitors and to make this place a welcoming space, the students carry out this project by inaugurating a new tool, the Hyve 3D, which allows users to be immediately in a 3D space.<\/p>\n
“The emotion of discovery interests us in the way we apprehend a tool,<\/em>” explains Ali\u00e9nor Morvan, a doctoral student in design (under the direction of Fran\u00e7oise D\u00e9tienne, St\u00e9phane Safin, teacher-researchers in cognitive ergonomics, and Tomas Dorta, professor of design at the University of Montreal and designer of the Hyve 3D). “The engineering students are technophiles and were eager to discover this tool. They enjoyed working with the Hyve 3D, which allows them to draw in 3D, to immediately see the rendering of the work done in a model and to project themselves in the place. This is very useful, especially when you can’t draw. The engineering students liked the technological aspect and the intuitive aspect. They were very quickly receptive. They sorted out the different tasks, they quickly streamlined things between what they could do in the model and what they could do in the Hyve 3D. All the elements that are going to be suspended, it was easier to materialize in the Hyve 3D”<\/em> she continues. If Ali\u00e9nor and St\u00e9phane Safin, a teacher-researcher in cognitive ergonomics, are so interested in the participants’ reactions, it is because the project is a co-design work. Thus, the researchers study how the participants, who are themselves users of the place, elaborate the project. Their research focuses on the function of tools and methods and on understanding user behavior.<\/p>\n![\"\"](\"https:\/\/i3.cnrs.fr\/wp-content\/uploads\/2021\/10\/Capture-1-500x263.png\")
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This study of co-design is indeed a scientific work. Poorly known in France, design is often considered as a purely aesthetic work whereas it is a science of conception. Design has been a field of research in Anglo-Saxon countries for a long time. The misunderstanding is born from the fact that the word design comes from dessiner which is a francization of the Italian verb designare but in Italian designare also has the meaning of conceive. “The word design comes from the word draw but also from the word design, that is to say, from the intention. Design is therefore the marriage of a tool of expression, the drawing, to serve an intention”<\/em> says Annie Gentes, Director of Research at CY School of Design.<\/span><\/p>\nWe understand that observation and empathy are essential in this discipline.\u00a0 You must also be able to put yourself in the visitor’s shoes. “What emotions do we want the visitors to feel when they arrive? Will visitors enter and project themselves into the building? How can we give a strong enough emotion to the candidates who take the competitions so that they choose this school? The workshop made the students working on this project discover totally different points of view that they had never adopted to perceive the school. The lobby gives an idea of the school’s identity. The workshop gave them a fresh look at the building itself,”<\/em> she concludes.<\/p>\nMore about this project.<\/a><\/p>\n3) \u201cDigital and living-lab to make stimulate collaboration between citizens and regulators during the management of a victim of a cardiac arrest\u201d<\/strong><\/h2>\nBy Oph\u00e9lie Morand, Caroline Rizza, St\u00e9phane Safin, researchers at I3-Telecom-Paris.<\/p>\n
Anyone can witness a cardiac arrest on the street, at work or in the lobby of their building. As we all know, immediate cardiac massage can save lives, whether it is performed by professionals or by citizens. Some call centers have already implemented first aid coaching techniques for those who have never performed CPR. Unfortunately, because of the fear of doing the wrong thing or of hurting the victim, many witnesses remain paralyzed while waiting for the arrival of the emergency services. This is all the more dramatic because only 7-10% of patients (Gr\u00e4sner et al., 2020) survive an out-of-hospital cardiac arrest. This is why it is necessary to work with citizens and rescue professionals to increase the chances of survival of victims.<\/p>\n
It is in this context that the project “Num\u00e9rique et living-lab : pour un citoyen secouriste” (Digital and living-lab : for a citizen rescuer) has been financed by the MAIF Research Foundation for a period of 2 years in collaboration with the University Hospitals of the city of Geneva and their 144 call center. The project aims at understanding the dynamics between the regulator (operator of the emergency call center) and the citizen during an emergency call and the mediation effect of a digital application (SARA) intended for the actual handling of the victim. It is also about highlighting how these individual behaviors are part of a collective prevention.<\/p>\n
Many digital applications already exist for citizens trained in first aid. These applications, Permis de Sauver or Staying alive for example, are known by the 15, 18, 112 call centers. The citizens mobilized by these applications are private citizens: firefighters, volunteer firefighters, or people with a first aid certificate. The SARA application is intended for a wider public without knowledge or competence in first aid. It allows the caller to be accompanied by the regulator through video guidance.<\/p>\n
![\"\"](\"https:\/\/i3.cnrs.fr\/wp-content\/uploads\/2021\/10\/capture1-273x350.png\")
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\n<\/strong><\/p>\n
Interview d’Ali\u00e9nor Morvan<\/p>\n
Three teams of engineering students are competing to design the reception hall of the new T\u00e9l\u00e9com Paris building to be inaugurated in November 2019. Their mission? To propose a project to transform this busy place into a warm and friendly space, because it’s the first impression that counts! The first contact will determine the positive or negative perception of visitors. To make a good impression on visitors and to make this place a welcoming space, the students carry out this project by inaugurating a new tool, the Hyve 3D, which allows users to be immediately in a 3D space.<\/p>\n
“The emotion of discovery interests us in the way we apprehend a tool,<\/em>” explains Ali\u00e9nor Morvan, a doctoral student in design (under the direction of Fran\u00e7oise D\u00e9tienne, St\u00e9phane Safin, teacher-researchers in cognitive ergonomics, and Tomas Dorta, professor of design at the University of Montreal and designer of the Hyve 3D). “The engineering students are technophiles and were eager to discover this tool. They enjoyed working with the Hyve 3D, which allows them to draw in 3D, to immediately see the rendering of the work done in a model and to project themselves in the place. This is very useful, especially when you can’t draw. The engineering students liked the technological aspect and the intuitive aspect. They were very quickly receptive. They sorted out the different tasks, they quickly streamlined things between what they could do in the model and what they could do in the Hyve 3D. All the elements that are going to be suspended, it was easier to materialize in the Hyve 3D”<\/em> she continues. If Ali\u00e9nor and St\u00e9phane Safin, a teacher-researcher in cognitive ergonomics, are so interested in the participants’ reactions, it is because the project is a co-design work. Thus, the researchers study how the participants, who are themselves users of the place, elaborate the project. Their research focuses on the function of tools and methods and on understanding user behavior.<\/p>\n This study of co-design is indeed a scientific work. Poorly known in France, design is often considered as a purely aesthetic work whereas it is a science of conception. Design has been a field of research in Anglo-Saxon countries for a long time. The misunderstanding is born from the fact that the word design comes from dessiner which is a francization of the Italian verb designare but in Italian designare also has the meaning of conceive. “The word design comes from the word draw but also from the word design, that is to say, from the intention. Design is therefore the marriage of a tool of expression, the drawing, to serve an intention”<\/em> says Annie Gentes, Director of Research at CY School of Design.<\/span><\/p>\n We understand that observation and empathy are essential in this discipline.\u00a0 You must also be able to put yourself in the visitor’s shoes. “What emotions do we want the visitors to feel when they arrive? Will visitors enter and project themselves into the building? How can we give a strong enough emotion to the candidates who take the competitions so that they choose this school? The workshop made the students working on this project discover totally different points of view that they had never adopted to perceive the school. The lobby gives an idea of the school’s identity. The workshop gave them a fresh look at the building itself,”<\/em> she concludes.<\/p>\n More about this project.<\/a><\/p>\n By Oph\u00e9lie Morand, Caroline Rizza, St\u00e9phane Safin, researchers at I3-Telecom-Paris.<\/p>\n Anyone can witness a cardiac arrest on the street, at work or in the lobby of their building. As we all know, immediate cardiac massage can save lives, whether it is performed by professionals or by citizens. Some call centers have already implemented first aid coaching techniques for those who have never performed CPR. Unfortunately, because of the fear of doing the wrong thing or of hurting the victim, many witnesses remain paralyzed while waiting for the arrival of the emergency services. This is all the more dramatic because only 7-10% of patients (Gr\u00e4sner et al., 2020) survive an out-of-hospital cardiac arrest. This is why it is necessary to work with citizens and rescue professionals to increase the chances of survival of victims.<\/p>\n It is in this context that the project “Num\u00e9rique et living-lab : pour un citoyen secouriste” (Digital and living-lab : for a citizen rescuer) has been financed by the MAIF Research Foundation for a period of 2 years in collaboration with the University Hospitals of the city of Geneva and their 144 call center. The project aims at understanding the dynamics between the regulator (operator of the emergency call center) and the citizen during an emergency call and the mediation effect of a digital application (SARA) intended for the actual handling of the victim. It is also about highlighting how these individual behaviors are part of a collective prevention.<\/p>\n Many digital applications already exist for citizens trained in first aid. These applications, Permis de Sauver or Staying alive for example, are known by the 15, 18, 112 call centers. The citizens mobilized by these applications are private citizens: firefighters, volunteer firefighters, or people with a first aid certificate. The SARA application is intended for a wider public without knowledge or competence in first aid. It allows the caller to be accompanied by the regulator through video guidance.<\/p>\n<\/p>\n3) \u201cDigital and living-lab to make stimulate collaboration between citizens and regulators during the management of a victim of a cardiac arrest\u201d<\/strong><\/h2>\n
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![\"\"](\"https:\/\/i3.cnrs.fr\/wp-content\/uploads\/2021\/10\/sauvetage2-476x350.png\")
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